Men In Black 3 Movie Review

Well, it's been ten long years since Agents J and K showed off their intergalactic protection skills in Men In Black 2, and given that the film didn't exactly win rave reviews, you can't blame anyone for being a little skeptical about the likelihood of a third installment being memorable. Luckily, I am always willing to give Will Smith the benefit of the doubt, and I'm happy to report that he and the entire cast made it worth my time.

THE GOOD: In order to go forward in this story, we have to go backwards... meaning time travel to the past; the summer of 1969, to be exact, when astronauts were preparing to walk on the moon and the Mets were poised to win the World Series. Another newsworthy event was Agent K (Tommy Lee Jones) putting a foul looking alien by the name of Boris behind bars---in a prison on the moon, no less. But 40 years later, Boris has busted out of his lunar lockup and has managed to sneak through the space time continuum in an effort to find K and kill him. It's all up to J (Will Smith) to go back in time and put Boris out of commission, before he can achieve his goal. Oh, and J also needs to keep himself from getting left in 1969 as well... yes, it's sort of a "Back to the Future" twist, and it may not be as ingenious of an idea as it seemed 25 years ago, but for all intents and purposes, it works. As you can imagine, there is a social commentary to be made with J going back in time as a black man, and Smith delivers some great attitude at perfect moments when small minded people speak without thinking.

As much as I adore Will Smith however, the scene stealer in this movie is without a doubt Josh Brolin, who not only plays the younger version of Agent K, but NAILS it. There's no debating that Tommy Lee Jones has a very unique presence and mannerism, so for someone to be able to capture that with such flawlessness, it is award worthy in my opinion. From his facial expressions to his accent and timing, everything was spot on... and hilarious. Adding to that fun, we have the alien character Griffin (played by Michael Stuhlbarg) who is a sweet and perpetually anxious little creature, and has the dubious gift of seeing the future----or rather the equal possibility of several different futures, some positive and some not so much. With his misty blue eyes, Elmer Fudd wool hat, and innocent childlike responses, he might come across as goofy to some, but I adored him.

THE BAD: I can only assume that in order to capitalize on how amazing Josh Brolin is in this role, efforts were made to keep Will Smith's character from shining too brightly. Or at least, that's what ends up happening. Usually Agent J is so full of sarcasm and attitude that the laughs are pretty constant... this time around, it took almost 45 minutes for Will to have a laugh worthy moment, at least for me personally. This isn't to say that Smith isn't his usual great talent, but be prepared that he doesn't pack nearly the punch in this installment as he did in the first two.

THE UGLY: I'm torn really, as to what the most hideous part of this movie was, but I certainly have it narrowed down to two contenders: the first being Boris (Jemaine Clement) in general---this guy just brings repulsive to a whole new level---but it's his teeth specifically that had me completely nauseated. It was like an entire mouth full of giant yellow molars and reminded me of the scary monsters I imagined as a little girl. Of course none of those creatures were ever making out with a woman in black leather pants in my imagination---which brings us to contender number 2. If there is anything more disturbing than a monster like man with bad dental work, it would be watching that same man sticking his tongue in a woman's mouth. Shudder. It's like I'm a five year old girl again, with a whole new scary image to keep me awake at night.

It's a generally accepted fact that the Men In Black Franchise started off strong, then hit a low with MIB2. There will be those who won't be willing to give MIB3 a chance because they fear things will only get worse... the surprise is that, as sequels go, this one is actually worth seeing, not only because of Brolin's performance, but the touching surprise twist at the end that explains J and K's relationship.

The Trophy Wife gives this movie 3 ½ trophies.

Men In Black 3 has a running time of 106 minutes and is rated PG-13 for sci-fi action violence and brief suggestive content. No F words. Providing articles, reviews and writings on movies online.

Small Towns Without Movie Theaters Show Movies Outdoors

Outdoor movie events bring the movie theater experience outside to create a fun and unique cinema experience. Modern equipment allow outdoor movie viewers to enjoy the same high quality experience enjoyed by traditional movie house patrons. For towns without movie theaters, outdoor movies are a great alternative.

Currently, there are small towns all over the country without cinema complexes. By 2013, more small movie-picture theaters could be closing their doors when the movie industry switches to all-digital technology. Films will no longer be released in traditional 35 millimeter film prints, and theaters without the technology to show digital films will be forced to shut down. The cost of converting to digital in a movie house is around $65,000, leaving this conversion out of reach for many small, older movie theaters.

There are already many towns without a motion picture theater, and this change will lead to more. Residents of towns like this are left with the options of missing out on these movies or traveling to a town with a movie theater. Portable inflatable cinema technology gives these communities another option: outdoor cinema.

Inflatable movie screens are available in a variety of sizes to fit into many different locations, and accommodate small or large crowds. High quality theatrical screens and HD projectors, along with clear sound, bring the movie theater experience to any location. An outdoor movie can be held almost anywhere; holding it at a historic site or downtown can enhance the experience and make it more special for the community.

Going out to see a new movie with friends or family is a completely different experience than watching it at home. Small towns without theaters and those that stand to lose a theater with the digital conversion will be missing out. Outdoor cinema technology can provide a replacement that sometimes proves to be even better than a traditional movie theater.

Movies under the stars provide entertainment and can bring a community together. Event organizers can take their pick of locations, maybe a popular community park, or another location that is special to the community. An outdoor cinema also allows community members to come together and watch a movie all at the same time, rather than being limited by the size of a movie theater. Outdoor movies are being shown in communities all over, to provide a unique cinema experience. For towns without traditional movie theaters, outdoor cinema is even more special. In these towns, outdoor movies replace the movie theater experience by providing another cinema option. Providing articles, reviews and writings on movies online.

Movie Review: "Page Eight"

Rating: PG, Length: 99 minutes, Release Date: June 18, 2011, Directed by: David Hare, Genre: Drama/Mystery.

"Page Eight" is a political drama produced by the BBC as a made-for-television film. David Hare, well known as a British television writer, is the writer and director of "Page Eight." The primary cast members include Judy Davis, Ralph Fiennes, Michael Gambon, Tom Hughes, Bill Nighy, and Rachel Weisz. "Page Eight" debuted at the Edinburgh International Film Festival. It was later broadcast on BBC Two, BBC HD, and PBS.

Johnny Worricker (Bill Nighy) is an officer in MI5, the British intelligence service. His boss is Benedict Baron (Michael Gambon), the Director General of MI5. Baron is married to Johnny's ex-wife and is raising Johnny's daughter as his own. Baron, just before he dies of a heart attack, passes over a report to Johnny. Johnny notices a potentially explosive passage on page eight. This passage mentions that Americans are torturing prisoners in overseas prisons with the knowledge of the British government.

Johnny infers that Baron wanted him to make the report public, but MI5 officer Jill Tankard (Judy Davis) disagrees with this course of action. Tankard is working directly for the Prime Minister, who wants the report buried. The Prime Minister also promotes the Home Secretary to Deputy Prime Minister in order to buy her silence about the report. Johnny later discovers that Tankard has been using her son to keep tabs on Johnny.

Meanwhile, Johnny gets to know his neighbor Nancy Pierpan (Rachel Weisz), whose brother was killed by the Israeli Army with the help of an MI5 agent. The audience is left guessing about the exact nature of the relationship between them, although it seems as if it is staged. Furthermore, it is clear that MI5 is monitoring their conversations.

Johnny is eventually forced to leave his job in order discover the truth about the report. He disappears, leaving a painting with Nancy. She later hears a news broadcast announcing that the British government knew about the circumstances of her brother's death. She knows that Johnny has leaked the information to the press and realizes that the painting Johnny left her is a clue to his whereabouts.

"Page Eight" explores the distrust that typically exists between the public and politicians. It does this by looking past the headlines on torture and prisons that were especially common when the film was made. Most films in this genre include car chases, explosions, shoot-outs, and assassinations. Hare keeps this film firmly grounded in the real world, so the characters only resort to violence when all else fails.

Hare does not fill the script with light banter or use any lines containing real warmth. The carefully stylized nature of the film means that it carries little emotional content. This is most apparent when Johnny critiques his daughter's painting. Many directors would use this scene to illustrate the bond between father and daughter, but Johnny describes the painting as if he were a professional art critic.

The acting in "Page Eight" is consistently excellent, especially that of Fiennes as the despicable Prime Minister. The ideas in the film are complex, and do not underestimate the viewer's intelligence. The cast members clearly enjoy the subtle dialogue and direction of the film, although many moviegoers will be accustomed to films with faster pacing.

This film has two primary story lines that mingle together as the film moves forward. Two of the subplots revolve around the Israeli-Palestinian conflict and Nancy's brother. The first main story line is about Johnny's personal life, which is almost nonexistent due to his inability to trust anyone. For example, he is extremely suspicious when Nancy shows an interest in him. This prevents the relationship from developing into a romance, and instead restricts it to a mutual friendship.

Johnny's inability to express himself with any emotion ensures that he is unlikely ever to fall in love. His relationship with Nancy is primarily based on a fondness for arts and culture. Johnny's least serious relationship is with Baron, who teases him affectionately.

The other story line in "Page Eight" follows Johnny's professional life as he deals with the possibility of the Americans extracting information through torture. This part of the film shows that the torture itself is not as alarming as the fact that it has been officially acknowledged. "Page Eight" shows a government plunging into moral bankruptcy, as Johnny tries not to fall in line with this thinking. Johnny must remain grounded while resisting the pressure of the bureaucracy around him.

Watch the trailer for "Page Eight" here. Rating: 4 out of 5. Providing useful articles, reviews and writings on movies and films online.

Reviews of Famous Martial Arts Movies, The Duel

"The Duel" is more of a canvas soaked in blood rather than a movie and it is filled with moments of rage and bloody encounters, filling each scene in the movie with decisive death blows and displays of ultimate fury. Directed by the legendary Chang Cheh under the Shaw Brothers banner, the dialogues and the conversations between the characters in the movie seem to be an excuse to move from one bloody encounter to another. Apart from the mindless butt-kicking, "The Duel" also touches the sensitive topic of corrupted politicians and politics, thus forcing the protagonist to over-ride the law at all points to take down a bunch of power- hungry politicians trying to destroy peace and harmony.

The opening scene shows Tan Jen-chieh (Ti Lung) getting a huge butterfly tattoo drawn onto his chest, as a show of his affection for Hue-dieh (Ping Wang). But the happiness doesn't last forever, as Tan gets involved in a war between his gangster grandfather and a fierce rival. Chang Cheh tries to create a western impact with such a violent crescendo as a gang of assassins stroll down the streets butchering innocents. When knives and swords start being thrown meaninglessly, "The Duel"transforms itself into a cinematic butchering playground, bursting arteries and cutting through bellies as if there is no tomorrow. The screen is filled with carnage, bashed up faces, torn shirts and blood.This blood bath results in the exile of Tan and his grandfather getting murdered.

"The Duel" is violent although the climax reveals the director's honest attempt to take on the political world. Tan ultimately takes down each and every bad guy in a bloodbath. However, the evil Senator manages to escape the punishment. Chang shows that no matter what the degree of violence is, it will not be able to vanquish the real masterminds manipulating the government. This was a well realized fact and was beautifully presented in the climax of the movie. Instead of letting the bruised and battered protagonists stand upright at the end of the movie; Chang shows them trying to stand up and surprisingly freezes the frame. This was done probably to show the shadow of mortality looming on all mankind, no matter who they are. The battle against mortality can never be won, no matter how good you are at Kung Fu.

The glamour that is usually associated with Shaw Brothers is very evident throughout the movie, more during the numerous bloody scenes. All other colors have been used brilliantly throughout and the audience is left spell bound at one point. Quality sound, which is a vital factor for the success of a Kung Fu film, is amazing throughout the movie. The screams, slices and the gushing blood leave a long lasting impression on the minds of the audience.

Successful both as a movie based on Kung Fu and as a take on the political world, "The Duel" is a movie worth watching. Providing useful articles, reviews and writings on movies and films online.

Housewife Wars, My New Reality TV Show Idea

Attention cable and network executives; I have a great idea for a new game show or Reality TV series. It 's called "Housewife Wars" and is based on true-life situations in households across the United States. Actually, it is based on my life and the daily challenges that I have faced that would put "Survivor" cast mates to shame. I actually applied to be a "Survivor" contestant a few years ago but broke my leg in three feet of snow trying to build a snow castle for the kids.

The premise of the show is to scour the United States for confident, professional housewives (or perhaps househusbands) that sign up to be part of the challenge. At the drop of a hat a Hollywood film crew will show up at your door with a challenge. You must complete the challenge in a certain amount of time in order to make it to the finals. All finalists will compete "on air" and the audience can vote for the winners! I think it would be hilarious and inspirational to see how stay at home moms and dads get creative and make it through life's challenges.

Here are some of the challenges that real life stay at homers will have to successfully complete in order to win the contests:

1. Sock Challenge - You have a full load of clean, dry socks. The winner will have to successfully match as many pairs of socks as humanly possible in 5 minutes. I have tried this challenge and it is impossible. I have piles of mysterious socks that I have never seen in my life. How can these socks sneak into the laundry and only show up in the dryer? They are pink, green, baby sizes (no babies in my house) soccer socks (my kids don't play soccer) and often have mysterious holes in them. It is maddening that the expensive knee high Nordstrom socks that my husband buys constantly disappear. He keeps waiting for them to magically reappear one day, and sometimes they do! My son can never find two socks that match in his drawer so he just goes to the laundry room in the morning to grab two white ones while he heads out the door.

2. Supermarket Sweep - this was a Reality show in the 90's that I actually won. My friend Patty and I were on two episodes and I have VHS tapes of us winning the battle of the shopping cart grocery store challenge. It was hilarious but not as funny as the real life daily challenge of racing into the grocery store with a short list of emergency items; eggs, full fat half and half, non fat vanilla Greek yogurt, Lucky Charms, Chipotle Tabasco, 2 bottles of Kendall Jackson Chardonnay (Cougar Crack... ), and RIPE avocados (good luck with that one.) You have to find all of these items and pay for them within 15 minutes or you will be late for the after school day care pick up and fined $10 per minute. Your child will also be humiliated by being the last kid left on campus. As an extra challenge at the grocery you have to politely avoid the "stop and chats" by friendly neighbors and annoying homeless organizations asking for handouts.

3. Short Order Cook - This is a good one and happens daily at my house. Your son shows up with 4 pals around mealtimes. Why do they always seem to hang out in the kitchen like stray cats until you feed them? In this challenge you have to make 5 delicious meals out of leftovers from whatever is in your refrigerator or freezer. Luckily most of my son's friends are not that picky and are happy with quesadillas, grilled cheese, leftover rice or mac n cheese. But remember, it has to be tasty, fast and ENOUGH to satisfy the boys and make them go away. The Bonus round is to be able to prove that your condiments are not expired and will poison the boys.

4. The Meeting Challenge - why do women love to schedule 9 am meetings that last for hours? I don't get it. I prefer lunch meetings. I mean we all have to eat, or better yet, happy hour meetings with cocktails and appetizers. Heck, I'll even offer to be on the live auction committee if I can have a glass of chardonnay. Can't we multitask and figure out how to raise money while munching on chicken salad? I would be happy to bring pot luck if we could just not waste my precious morning hours sitting around with an agenda from hell. In this challenge you have exactly one hour to get the kids up, make them a healthy school lunch, send them out the door, run a mile on the treadmill, shower, put on a decent outfit, MAKEUP (no cheating), dry your hair, and get to the meeting on time. I love to volunteer for good causes but hate meetings.

I am sure we can all come up with enough of these Housewife War Challenges to keep the series alive and in the top 10 for years. Once the producers in Hollywood realize the true life heroes in this country are hidden in the homes across America performing amazing feats of courage, honor, and faith on a daily basis. It takes a real woman (or man as the case may be) to make it through the day without saying "that's it, I'm just going to go back to bed, watch TV all day, and eat bon bons." I have actually threatened to do that... Providing useful articles, reviews and writings on movies and films online.

Amazonas Film Festival Earning Recognition

While the Cannes and Sundance Film festivals may both be well known, they are certainly not the only festivals dedicated to the screening of new flicks. The Amazonas Film Festival, now in its ninth year, is rapidly gaining attention. The festival is held in Manaus, Brazil, each year in early November and features award-winning movies from around the world. Screenings for the festival take place at the spectacular Teatro Amazonas. This Belle-Époque opera house served as the inspiration for the epic film by Werner Herzog, "Fitzcarraldo."

The opening night of the festival featured "Colegas," a Brazilian film. The film was penned and directed by Marcelo Galvao and illustrates a poetic view of life from the viewpoint of three people with Down syndrome. In total, more than thirty films will compete in the festival. Each of the movies will be competing for the prestigious Flight Over the Jungle award and will compete in several different sections. Those sections include a competition for short films produced in the Amazonas, an international feature competition, a Brazilian short film competition, and a screenwriting competition. The film that garners top honors at the 2012 festival will receive a cash prize.

Eight films were submitted to compete in the International Feature Competition category. The films hail from a diverse array of countries. The American feature "Compliance" is one of the films submitted for this category. Another submission is the Danish movie "Teddy Bear."

Much like the movies submitted to compete in the festival, the list of jurors chosen is also quite diverse and includes Romanian film producer and director Tudor Giurgiu, Brazilian screenwriter and director Sergio Machado, Argentinian actress Eva Bianco, and Brazilian actor Leonardo Medeiros. The President of Honor for the 2012 Amazonas Film Festival is Zelito Vianna. In addition to screening Vianna's film "Villa-Lobos: A Life of Passion," the festival also pays tribute to the bi-centennial anniversary of the Palme d'Or that was won by the Brazilian film "The Prayer of Promises." In 1962, the film became the first and only film to date to win the award. The film was also the first film from South America to receive a nomination for an Academy Award for Best Foreign Language Film.

The weeklong film festival serves as a gathering for movie industry insiders, filmmakers, journalists, and cinema enthusiasts from Brazil and from the rest of the world. The spectacular Amazonian rainforest serves as the backdrop for the festival. A number of initiatives have been instituted by the festival to educate local audiences about the film industry. Such initiatives have included screenings at hospitals, bus stops, community centers, and even remote villages situated along the Rio Negro River.

Films that score top awards in the festival can ultimately mean significant amounts of money for filmmakers and the opportunity to succeed in the Brazilian film industry as well as on an international level.

One of those films vying for a top prize is "Jonathas' Forest." The film is directed by Sergio Andrade, a native of Manaus, and is set apart by a divergence from the magical realism that is typically a centerpiece of many Latin American films. At the same time, the film still manages to invoke a transformative atmosphere that affects outsiders as well as Amazonas natives.

Director Craig Zobel's film "Compliance" premiered at the Sundance Film Festival in January. Since that time, the film has managed to create no small amount of controversy in the theatrical and festival worlds. It was released in the United States by Magnolia. Another film to appear at the Amazonas Film Festival is "The Zebra." Fernando Javier Leon Rodriguez scored an award for the Best First Feature film for his work in this movie. Another contender includes "The Angels' Share" by Ken Loach. The film focuses on a band of Scottish loners who make the decision to work together in order to accomplish a whiskey heist. Following the premiere of the film at Cannes, rights to the movie were procured by Sundance Selects.

While "The Other Son" is certainly not a blockbuster film, it has received plenty of positive reviews. This film by Lorraine Levy tells the story of an Israeli boy and a Palestinian boy who are swapped at birth. The Danish film "Teddy Bear" by Mads Matthiesen centers around the tale of a bodybuilder. It has already received plenty of acclaim, including the World Cinema Directing award at Sundance.

The Amazonas Film Festival has become the premiere centerpiece for South American films. Providing useful articles, reviews and writings on movies and films online.

Bill Cunningham New York

The best documentaries are the ones that leave you feeling like you've had a religious experience - that you've either just encountered a holy person or experienced a conversion to some new cause or idea that had been previously unexplored. The best documentaries transcend the subject matter and touch another place altogether - that spiritual place. And so it is with Bill Cunningham New York, a delightful documentary directed by Richard Press about the octogenarian New York Times photojournalist who comes across as a monastic figure whose sanctuary is couture.

Prior to seeing the picture, I didn't know Bill Cunningham's work, but being a longtime reader of the New York Times, I was aware of his street photos, which have been a regular feature in the Style section for over thirty years, and the tension between ubiquity (he's a respected sage in the fashion industry) and anonymity (he's a discreet man who shuns the spotlight and money in order to enjoy guiltless freedom in what he does) is at the core of the movie and the man.

Cunningham was born and raised in Boston, and retains the distinctive accent where Central Park becomes Central Pahk. After dropping out of Harvard, he moved to New York, where an uncle who worked for Bonwit Teller, the high-end department store, took him in and got him a job as a stock boy. Cunningham's interest in fashion worried his family, who no-doubt feared that he was gay. Finally, tiring of his family's pressure to get a "straight" job, Cunningham moved out of his uncle's place in 1949 and found an empty space on East 52nd street where he set up a hat shop and designed under the name William J.

After a hitch in the army, Cunningham came back to New York where he began his career in journalism. He got on with Women's Wear Daily, and was given carte blanche to write about whatever interested him. When WWD wouldn't publish a piece he'd written about Courreges, the French designer, he quit.

In the 60's, Cunningham worked for the Chicago Tribune in their New York office. In 1966, he met a photographer named David Montgomery. When Cunningham expressed an interest in taking pictures, Montgomery gave him an Olympus Pen-D half frame camera and told him to use it like a notebook. Thus equipped, he entered a new phase of his career.

Cunningham took Montgomery's advice to heart, and it was during this time, as he was getting acquainted with the camera, that he had an epiphany. He wrote about this moment in a 2002 piece for the Times - "I realized that you didn't know anything unless you photographed the shows and the street, to see how people interpreted what designers hoped they would buy. I realized that the street was the missing ingredient." That realization, that the street was where fashion was worked out, led to an obsession with the streets of Manhattan, which became a kind of laboratory for Cunningham, who documented the daily fashion experiments, looking for patterns.

In the 70's, Cunningham started taking photographs for the Times, but it wasn't until 1978 - after a chance encounter with Greta Garbo and a nutria coat she was wearing - that he landed his current gig, covering the streets and the galas and the shows - the Bill Cunningham holy trinity of fashion.

Bill Cunningham New York is a mixture of talking head interviews, decades old archival footage of Cunningham, and present day coverage of the man on his daily rounds. Amazingly, Cunningham - nearly 80 at the filming of the picture - still gets around Manhattan on his trademark bicycle, moving from street corner to street corner to capture a few frames of some article of clothing or an accessory that catches his eye.

The man who emerges from all of this attention is a purist completely uninterested in industry politics, self-promotion, or celebrity. For him, it's all about the clothes...of others. Cunningham lives a Spartan existence. His apartment is a tiny studio at Carnegie Hall that has no kitchen or bathroom (he showers and takes care of other business in a common bathroom in the hallway). He sleeps on a makeshift cot. The rest of the living space is occupied not with furniture and art, but filing cabinets filled with prints and negatives - his experiments.

Cunningham dresses conservatively, and could easily be mistaken for a retired professor or accountant but for his trademark blue smock. Some years ago, he stumbled across the smock - designed for institutional use - in a department store section devoted to uniforms. It's a light jacket that Cunningham favors for its many pockets (to hold film and other paraphernalia) and rugged construction (his camera, which dangles from his neck like a giant medallion, is hell on coats). It looks like something Chairman Mao might have favored.

Cunningham has stripped his life down to the essentials so that he can devote as much of himself as possible to the documentation of what people are wearing. He's that rare person who, early on, discovered his calling, and has let nothing distract him from it. Seeing him at Carnegie Hall Towers, once can't help but view him as a kind of secular monk and Carnegie Hall as his monastery. Cunningham and his elderly neighbors, nearly forgotten artists from the mid-twentieth century, are as delightfully anachronistic as an encounter with a Franciscan monk or the Amish.

The difference with Cunningham is that, though he may not be of the world, he's definitely in the world. We see him in the offices of the Times, playfully bantering with co-workers. We see him in Paris at a major show, where a young gate-keeper keeps in out on the sidewalk until an older co-worker pushes her aside, declaring Cunningham to be "the most important man on earth." We see him on the street, dialed in like method actor or ballplayer, looking for that thing.

Bill Cunningham New York has blown the cover of its subject, but his loss of anonymity is our great gain. Providing articles, reviews and writings on movies online.