The Avengers Movie's Success

The Avengers is a film produced by the Marvel Studios and released in 2012. It is a superhero film based on the superhero team from the Marvel Comics. The screenplay was written by Joss Whedon and is distributed by Walt Disney Pictures. The cast of the Avengers film has famous actors such as Robert Downey Jr., Samuel L. Jackson, Scarlett Johansson and additional cast members: Cobie Smulders, Chris Hemsworth, Clark Gregg, Chris Evans, Tom Hiddleston and Jeremy Renner among others.

The Disney Company decided to change the title of the film in the United Kingdom. Instead of Marvel's Avengers it was released as Marvel's Avengers Assemble. This is because the company did not want the public to confuse the film with a TV series in the UK that has the same name. The film had its world premiere on April 11th 2012, at the El Capitan Theatre in California. The film broke many box office records immediately after its release on that day. The Avengers film made a record $207,438,708 during its first weekend at the theaters. This is a noteworthy record because Harry Potter and the Deathly Hallows Part 2 managed to acquire $169.2 million in its first weekend after the premiere. In its first week, the film broke the Dark Knight's 2008 record of $238.6 million by bringing in $270.019 million in ticket sales.

The Avenger's film received positive reviews by many notable critics. For example, the film got a 93% rating from the Rotten Tomatoes, which is a review aggregator website. It also obtained an average 8.1 points on 10 from the overall 267 reviews. CinemaScore gave the film an A+ grade based on the audience reviews. Another review from Metacritic showed the film received a score of 69 out of 100, due to the aggregation of 43 reviews.

The factors that contribute to the success of the movie are the stars, careful planning, as well as the original content. The stars of the film were all main characters in their various films and Marvel Comic books. When they came together, the fans wanted to know what would happen in the film, making the film a box office hit. The directors and producers of the film took the time to plan the film and released several teasers and one commercial spot in the Super Bowl. These actions increased the hype of the film, and many people looked forward to the premiere of the film.

The film did not make any changes to the characters, and they appeared just as they did in their previous films and comic books. The only character who underwent some changes was the Hulk. He was greener in the first Hulk film released in 2003, and the 2008 Hulk was too masculine. The film director decided to reduce the Hulk's green color and minimize his muscled appearance in the Avengers Film. The actors also showed their professionalism and dedication, by bringing out all the emotions required, despite the fact that it is an action film.

In the film, there was no main character because all the characters worked as a team and each of them had their own moment to shine. The film's special effects, as well as the action, proved worth watching and increased the film's appreciation by the audience. Another important factor in the success of the Avengers is the dedication of the director/ producer Joss Whedon. He developed the story from the comic characters and did not try to create a completely new story that deviated from the comic characters.

The character of Bruce Banner enhanced the success of the film. Mark Ruffalo played the roles of the brilliant, yet cynical Dr. Banner and the Hulk in the film. He brought out the characters in such a marvellous way, enhancing the film's reception. He brought out the Hulk's character well by refreshing the character. He also brought out the geeky and irritated character of Dr. Banner in a spectacular way. Many critics appreciated the film's plot in addition to the character's dialogues. Providing articles, reviews and writings on movies online.

3D Geek V 3D Consumer, A New Look at the Passive Vs Active 3D TV Debate

Once 3D was a novelty act in cinemas. Now it's a rapidly developing technology that helps movie directors and progressive TV channels find new and better ways to help you feel part of the action.

Early 3D technology made it possible for manufacturers such as Samsung, Sony and Panasonic to introduce 3D TV sets into homes. They applied the early-adopter rule of money being no object and technical specification being everything. So they developed the geektastic active 3D technology systems that require shutter glasses with powered lenses and transmitter mechanisms to sync the tech-heavy 3D glasses to the display unit.

Active-shutter glasses are actually small LCD screens that alternately dim the left and right lenses at speeds faster than the human eye can detect. They use an infrared signal emitter in the TV to ensure each pair of synched 3D glasses dims each of its lenses at the appropriate moment. Each eye's glass contains a layer, which flickers between dark or transparent when voltage is applied. The timing signal allows the glasses to synchronize together with the refresh rate of anything between 100Hz and 240Hz.

Active-shutter 3D glasses, thanks to the technology involved are relatively expensive. So much so that manufacturers don't often include them with active 3D TV sets - you have to buy them at a substantial additional cost. Besides the cost of the glasses - anything from £50 - £150 per pair, you also have to stump up for the batteries they need to keep them running. It's these batteries that also give active 3D glasses a bit of a weight problem that can cause discomfort during full-length feature films. An issue that becomes even more problematical if you already wear prescription glasses.

The final difficulty with active 3D glasses is that no two systems use the same signal emitter set-up: you can only use them on your own system and will have to wait for the development of universal active 3D glasses to head round to your pals to watch the football in 3D.

Fortunately a solution, in the form of passive 3D systems, arrived on the fast developing 3D TV scene.

As other TV manufacturers such as LG, Philips, Toshiba, Vizio, Cello, Manta, Bush and Finlux began to develop 3D TV systems aimed at mainstream consumers, they opted for passive 3D glasses technology. Making passive 3D glasses is no more complicate than making a pair of standard sunglasses. Only the specially designed polarized lenses are different.

When you watch a 3D film and the cinema or on a passive 3D TV, the polarised lenses in the passive 3D glasses simply block different kinds of light from each eye to create that immersive illusion of depth inside the mind of the viewer. The circular polarised lenses are set at angles that match a combined image on the screen. The glasses simply decode the images with any need for those flickering shutters that can cause headaches on active 3D glasses. What's more, you don't ever have to replace any batteries or miss out on the football in 3D because they are flat. So why doesn't everybody see passive 3D glasses as sounds like the perfect 3D solution?

The makers and enthusiastic fans of active 3D systems often refer to the fact that technically passive 3D glasses do not provide a true HD experience on 3D TVs. With passive 3D, the viewer sees 540 lines of resolution to each eye, or half 1080p (provided the source is 1080p). So, theoretically the picture will have less depth and quality than one of 1080p - the norm for active 3D systems. However, active 3D supporters claim that this difference is only noticeable a couple feet from the TV. As nobody buys a large screen TV to use as a laptop the issue seems to be nothing more than manufacturer spin.

To prove the point, LG has recently won ruling by the Advertising Standards Authority that allows them to state that the passive 3D glasses experience is a full HD experience. Perhaps that is why Panasonic and Sony have both recently began making passive 3D systems?

The real difference lies not in whether active 3D glasses are too heavy, cause dizziness and headaches, or passive 3D glasses offer a less immersive experience cheap as chips experience: real difference lies in the eye and the mind of the beholder.

Each of us experiences 3D in a way that is unique to our own viewing physiology. Our eyes, our experiences and our preferences, shape the way we see things. The fact is, we simply do not see exactly the same things as people sitting right next to us. Moreover, 3D is a depth-perception illusion created in our mind's unique eye. While technical facts and research can advance all manner of claims, it is only you who can decide what rocks your 3D world.

At a geek v consumer level, each of us is either the kind of avid technology buff that wanted to be the first to experience 3D TV in the home or someone who was always going to wait until the technology developed to a point where updating the old TV with a state of the art but relatively inexpensive passive 3D TV seems like a no brainer. Especially when you consider that you are likely to be watching a mixture of 2D (60%) and 3D (40%) programs on your 3D TV.

Even if you adopt a try before you buy approach, evaluating passive or active 3D TVs is fraught with difficulties. For one thing, it is impossible to experience what it is like to live with heavy active 3D glasses unless you spend hours in the showroom watching a film. Equally, the quality of passive 3D glasses is enough to make anyone think twice about making an impulse purchase.

May we suggest a solution?

Perhaps before you risk investing in a prohibitively expensive active 3D system because of the perceived picture quality or dismiss the very idea of a passive 3d system because of the poor quality passive 3D glasses, you should take the opportunity to experience the outstanding passive 3D experience delivered by Designer 3D glasses by Oskav.

All our wayfarer-style glasses are made to the same exacting standards as designer sunglasses. Our lenses are made to a particular specification that ensures a high definition 3D experience and lasting durability. Our collection of designer finishes is simply without equal in passive 3D glasses. So what have you go to loose? From just £19.99 you could get the LG, Philips, Toshiba or Panasonic passive 3D TV test drive of a lifetime and in the process get a pair of designer 3D glasses that also allow you to go to see any 3D film in style. Put the 3D geek v 3D consumer debate behind you in a pair of designer 3D glasses by Oskav. Buy designer 3D glasses by Oskav online at oskav.com. Providing articles, reviews and writings on movies online.

Tips for Online Video Production That People Will Get Talking

With the explosion of web video these days, you might also be thinking to upload your own content. We consider online videos as a different way to be entertained and get news. With the growing bandwidth, easy access to the means of production, and cheap storage, almost anyone can upload his/her video. However, be aware that with the enormous amount of videos that have been uploaded on the internet, there are millions of them which fail to capture their intended audience. In this article, we will tackle a number of tips in order to come up with a well-produced, entertaining and informative video. If you want a video which people will get people talking to, then, this article is for you.

Take the Time to Think about What You Want in Your Video

Before anything else, it might probably best if you outline what will happen in your video. Try to come up with an original concept in order for your content to stand out. This is the good thing about the internet. Here, you can express your imagination and you are your own creative force. Thus, sit down and come up with compelling characters as well as interesting situations for your video.

Recognizing the Medium of Your Video

As you write and prepare for your video production, be aware that the target length is five minutes or less. With that time period, you have to establish your beginning, middle and end of your video. Try to make your video as engaging as possible. Keep in mind as well that most people watch web videos alone and they often share this through social media. Thus, know the habits change between lone and group audiences.

Considering the Production Values

Meanwhile, there are a few basic things that should be considered when producing a web video. These might include simple things like getting the proper lighting and ensuring that all the dialogue can be heard. It is also important to make sure that the room tone matches. That means that everything should sound basically the same when you're cutting from one shot to another within one setting. If you already have a great script and good acting talent, you have to think of the decent production values as well. These things will set your video apart from thousands of your competitors.

So, those are just some of the simple tips that can help your original video off the ground. Hopefully, it will go out to the masses as well. On the other hand, you can also hire the services of a particular video production company to help your idea becomes a reality. Providing articles, reviews and writings on movies online.

Home Vs Commercial Use Inflatable Movie Screens, Difference In Quality

Since the invention of the first inflatable movie screen by AIRSCREEN of Germany in 1994, many different styles of blowup movie screens have come on the market. While all of the same purpose which is to be a portable means for showing movies outdoors, there are some notable differences in a home use and commercial use outdoor screen system.

HOME USE INFLATABLE MOVIE SCREENS
Home use inflatable screens are usually small in size and are meant for a group showing of 10-15 people which is ideal for a backyard movie night. The quality of materials used on a home use screen is similar to that of a blow up snowman decorations sold in big box stores. To keep the cost down for the personal use market, the manufactures use light-weight thin materials. Light-weight materials also allow for the projection screen to easy to manage and store in small places. Equipped with thin tether ropes, small push stakes, and a fan, the blow screen system is easy to install in minutes in a grassy area of a home yard.

Since the home use portable projection screens have small fans (not blowers) with lightweight materials, the screen frame is not able to stay firm which will case the white projection surface to wrinkle which will affect the picture quality. Starting at a price point of $199, home use inflatable movie screens are affordable for the do-it-your homeowner who desires to host a backyard movie themselves.

COMMERCIAL USE
Consumers looking to buy a screen for home use may find that some manufactures are offering larger sized "commercial screens." Don't be fooled by these larger screens that the manufactures are trying to advertise as commercial. These screens are a lot lower quality than normal commercial screens made of cheaper, thinner materials that may start to have leaks after a short period of time. Typically manufactures selling these screen also sell products such as holiday decorations, and don't have the experience creating a stable, quality commercial movie screen.

One way to tell a true commercial screen is to look for a screen that is made of a heavier weight material such as reinforced PVC. The stronger material with welded or double stitched seams will result in a stronger frame which will be aesthetically wrinkle free as well as be able to withstand wind because of its more solid, stiffer structure. The thicker material and stronger seams also increase the longevity of use of the screen where as after a few uses with a home quality screen you will start to notice leaks which will progressively get worse with every use.

Another area that a commercial screen focuses on is safety. The larger the screen surface, the more impact wind can have on the screen. Similar to a giant sail on a boat, the screen will want to take flight with a strong enough gust of wind. To keep the screen from flying away and potentially injuring the crowd, you will find a minimum of six tether straps with 24? or longer tent stakes on a high quality commercial screen system.

Third a true commercial grade inflatable outdoor movie screen should have a theatrical grade or highly reflective screen surface similar to an indoor movie theater screen. A theatrical grade screen when paired with the correct projection system will produce a vibrant, crisp and colorful picture.

There are many clear, noticeable differences between the quality of a home screen system versus a high quality commercial grade screen system. Although home screens can be alright for using once or twice in a backyard, a commercial screen system will offer an outdoor cinema experience that just can't be matched by a home screen system. From a elegant, highly reflective screen surface, to a safety system that can withhold moderate to strong winds, hiring a professional outdoor movie company will be the correct decision for an unforgettable outdoor movie experience. Providing articles, reviews and writings on movies online.